What would it mean for choreography to perform as an exhibition? In 2021, De Keersmaeker was invited by Fondation Beyeler to create Dark Red—Beyeler, a ‘live installation’ where the dancing body faced the sculptural work of Auguste Rodin and Hans Arp. Now, with Dark Red—Beyeler/RPS, a reprise of this performance is shown in the home of Rosas. How does the choreography evolve in this space? What echoes remain of the sculptures that inspired it? How will embodied abstraction be experienced here?
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